More on surf clubs, Sleepover

A late thought to the thread over at Paddy's about surf clubs and the Great Internet Sleepover:

Something I said above I'd like to explain further:

"I should clarify that the context of Marisa’s and my exchange was a question on my blog about collaboration. Someone had asked about artist teams where different parts of a common task were split. And I was questioning whether, in the tech art arena, that made art more bland because both team members had to understand it well enough to explain it to others."

The second sentence should probably read "Someone had asked about artist teams where different parts of a common task were split, say, between an artist and an engineer."

The context was XYZ art. Someone noted that a lot of this bland, by-the-numbers tech art was the fruit of teams, which were "often...a cover for one person getting someone else to do technical stuff." In reply I was conjecturing that in order to work together, the engineer had to dumb down the hardware or software theory to explain it to the artist and the artist had to dumb down the art theory to explain it to the engineer. The product they announced to the world was then doubly dumbed-down, hence XYZ art.

This would never happen with the surf blogs because it's not that type of collaboration. The surfers either (i) act as their own engineers or (ii) proudly have no skilz whatsover except roaming the internet and mashing up its by-products using off-the-shelf software.

(This comment reworded slightly from when I submitted it at Paddy's.)

"Professional Surfer" revisited

Paddy Johnson offers an eight-years-later look at a Rhizome online exhibition, "Professional Surfer," to see how it holds up. She thinks it doesn't, because (i) its premises weren't that well thought through to begin with, (ii) link rot plagues many of the sites included in the show, and (iii) search, and by implication, surfing the results, has moved to Facebook (really?).

[John Michael Boling's] “Lord of the Flies,” a video in which we see hundreds of cursors descending upon Google [Johnson writes], would make up for [the inadequacies of another Boling piece], though, were it not broken. [I was able to play the Quicktime but not the related MIDI file --tm] It’s a poignant reminder of the one time omni-presence of search. Much of our activity has migrated to Facebook, but the race for traffic and links that this piece implies remains a constant today. Oddly enough, it feels both historical and timely.

Johnson's criticisms (i) and (ii) in the first para above might have been remedied if Rhizome had done more to preserve and contextualize the sites in question. Nasty Nets was "99% archived" by Rhizome before the original disappeared but it was never officially launched as an ArtBase acquisition, i.e. with a front page cover story such as the one Vvork received. Several of us NN members received emailed questions about our involvement with the site but then the writer apparently spaced out and moved on to other pressing concerns. Documentation and Q&A was taken up by people outside Rhizome, such as the graduate student who did the PDF referenced here.

As for the Facebook "migration," it would be nice if Johnson and Rhizome would stop treating FB as an inevitable and necessary feature of "our" lives. Sure, lots of people use it, but there's also a lot of griping about it and seeking of altenatives. If you are on dump.fm or using IRC to have private convos or getting news via your browser or RSS you are closer to the world "Professional Surfer" describes than the social media dystopia being adduced by our thought leaders as the new norm. Just because Johnson has stopped using search engines doesn't mean everyone has.

Addendum: Facebook was held up by Johnson as the current internet standard in another paragraph of her post, concerning Travis Hallenbeck:

Meanwhile, Hallenbeck’s livejournal — a collection of links to niche music/computer sites, personal lists, and quizzes — proved satisfying to click through as well. (My favorite Hallenback find was a quiz that identifies your chemical type and offered an accompanying poem. Hallenbeck got “pheromone”.) None of this seems so dissimilar to Facebook updates now, so it’s hard to explain his importance past perhaps being a valued member of the nerdocracy. While this demographic no longer rules the web, it’s hard to understate the appeal of a indie-music art nerd in 2006. Hallenbeck did this better than anyone.

Possibly there are "Facebook updates" as interesting as Hallenbeck's Livejournal or Tumblr or Pinboard but why make that comparison? You could go the other way and argue that all the interesting stuff is happening outside of Zuck's world of surveillance and commerce.

random surfing

keyboard_brush

A friend asked recently if anyone still "surfs the web" now that all net-like activity takes place within one or two large gated communities. The question was related to the topic of Young People Not Having a Clue What the Surf Clubs of 2006-2010 Were Supposed to Be About.
Well, for an hour this morning, I did (surf the web).
Started with links to websites from my blog posts of two and three years ago (random link-rot checking), which led indirectly to:

* A PandaWhale "stash" telling us about lead and cadmium in Soylent (the powdered food that techie types are living on). Great clickbait but neither Panda nor its linkee Takepart say where the heavy metals are supposedly coming from! Isn't that the first question in anyone's mind? A press release from Soylent blames trace elements in the brown rice extract and an unusually stringent California labeling law.

* Another PandaWhale "stash" with a mind-shattering item on cutting soft cheese with dental floss. (Note that the name of the floss manufacturer is covered with white tape.) The source is a "life tip" from iPPINKA, a lifestyle accessory vendor that requires a login to browse its merchandise (see photo of keyboard brush at top).

dental_floss

*A list of companies that make bamboo bike frames. I can't find that link now but I remembered one of the company names, Bamboosero, pronounced BambooSERo. But is that SER as in sear or SER as in bear?

At this point it became too exhausting to continue web surfing.

Surf Art Continuity

wonder

GIF above originally posted by halgand_cc on 544x378webtv (archives, week of 07/13/2003 - 07/19/2003)

Back when we were debating the "internet surf clubs" on Rhizome.org (conclusion: the Rhizome regulars said it wasn't art and if it was, it was something they invented), a commenter traced the idea of group image/may-or-may-not-be-art blogs back to the earliest days of blogging, late '90s-early '00s, in France I think. I first noted the phenom with 544 x 378 (Web TV) (see above). Nasty Nets came three years later, and added the term "internet surfing club" (pissing off a generation of academic net artists).

Tumblr blogs are too many and diffuse to be pigeonholed but their communal features and broad participation make the '06-'09 surf clubs seem creaky (the latter have drastically slowed their posting pace, anyway).

Now dump.fm has taken the concept(s) and sped them up even more with the addition of a live chat feature. Putting images in chat has been around--Yahoo! had a feature where two chatters could work on the same drawing in real time, using paintbox controls--maybe it still does. Dump.fm allows image and GIF uploads to a single public chat screen (also webcam shots) and is simultaneously creating a tumblr-like blog archive for each chatter consisting of that uploaded content.

The changing speed of the discussion and image uploading is not for the old or weak of heart. Chat is hell for me due to an inability to express myself in thoughts under a paragraph. (Twitter is fine for one-liners but lousy for conversations.) With chat you have to mesh quickly with the "house vibe" and have no ego about losing your precious words and pictures quickly in a volatile stream.

Wall Street Journal on Pro Surfer Artists

This Wall Street Journal article by Andrew Lavallee attempts to make sense of some of the Net Art 2.0 content that's out there: he zeros in on a group of artists who find boring Internet content interesting. Yr humble blogger is both that content (peripherally) and its regurgitator: The article discusses Marcin Ramocki's Blogger Skins piece (where "Tom Moody" is one of the five "google portrait" subjects) and the Nasty Nets "Internet Surf Club," a group blog where I've been posting work.

The most thoughtful quote comes from Guthrie Lonergan,* who talks about defaults in our culture. He is broadening a technical term--a default is what software ships with as opposed to what you add--to include any kind of societal trope or habit, and (it could be further elaborated) his artistic practice involves using the Internet as a lens to reveal these. The example given in the article is the MySpace intro. Lonergan notes that MySpace doesn't provide a template for this, so people "default" to a kind of telephone answering machine greeting when they first make their pages, with added images.

Taking Lavallee's article a bit further: Ramocki's Google portraits are also a collection of defaults or habits--the Googlebot assumes any photo with the caption James Wagner is James Wagner and doesn't make any further investigation such as: Which James Wagner? Is a caption misplaced? So you end up with a "portrait" of 100 images of James that is a collage of largely irrelevent crap. It is visual proof that the systems we increasingly rely on aren't as smart as they're cracked up to be.

Much of the humor on the Nasty Nets site centers around glitches and technical failures in our brave new cyberworld--it's not just about artists slumming or "looking at the world around them" or "searching for inspiration." And the practice isn't just bookmarking-as-found-object-finding. Manipulation of the found content also occurs, often using default tools such as Photoshop, iMovie, MSPaint, or an off-the-shelf MIDI sequencer.

*Update: On his del.icio.us page Lonergan says, regarding the MySpace intro quote: "The observation about answering machines is a paraphrase of something Sean Dockray said about the MySpace vids."