announcement for upcoming event at ICOSA Collective, Austin TX

Screenshot from the gallery's Instagram promotion (click or tap for more legible, full-size text):

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Text of announcement (with bios):

FOR IMMEDIATE RELEASE

St Celfer Performance at ICOSA Collective, December 12, 2020

Austin, TX

St Celfer’s musical work “March of the Covids” will be performed at the ICOSA space in an unusual way -- as an abstract, encoded YouTube video. The song made its original appearance at the Casagaleria art space in São Paulo, Brazil as a 16 channel audio composition “distributed” in the gallery through directional speakers. At ICOSA the work will be presented virtually in the form of video projections, in a new, collaborative incarnation. “Covids” will be “played” as one of a suite of recent compositions by St Celfer, who is currently based in Seattle, and his long-time collaborator Tom Moody, a New York artist and musician.

Eleven tracks by the two artists have been converted to video using Pitahaya, a software program created by John Romero. Pitahaya turns the audio (which can still be heard) into a stream of random pixels resembling TV snow and QR codes. Uploaded to YouTube, the 35-minute video will be played by the gallery and may be watched like a Stan Brakhage-like abstraction, with fluctuating, chaotic correspondences between picture and sound. The video has embedded content but there is nothing subliminal or mystical about it: instead, Pitahaya has been used to convert a CD-quality version of the eleven songs, which can be downloaded and decoded as explained at http://jollo.org/LNT/doc/pitahaya/.

The audiovisual performance runs from 3-6 PM Central on December 12, 2020.

Biographical information

St Celfer has drawings (http://stcelfer.blogspot.com/) that have been recently acquired by the Museum of Contemporary Art, São Paulo and in November 2020, released “Suites #1-9” (https://stcelfer.bandcamp.com/album/suites-1-9). He has exhibited and performed primarily in New York as John Parker (http://www.eyekhan.com/index1.html) among other aliases.

Tom Moody is a New York-based artist (https://tommoody.us) and musician (https://tommoody.bandcamp.com/). Most recently his work was seen in the exhibition "PAUSE (prelude)" at Künstlerverbund im Haus der Kunst, Munich, Germany.

John Romero is an artist and programmer who was a member of the Computers Club collective (under the name Rene Abythe) and was profiled on Rhizome.org at https://rhizome.org/editorial/2011/dec/08/artist-profile-rene-abythe/. His website is at http://jollo.org/LNT/home/fanfare/.

upcoming projects

December 4 - I'll be posting a conversation with John Parker, who I've collaborated with in art and music since 2004. We did an interview that year and decided to have a 16 year follow-up to discuss "where we are at" at the present moment in our work and thinking, and how we got there.

December 12 - The ICOSA Collective in Austin, TX, chose a musical work of Parker's for a group exhibit called Transmissions. The work appears under his St Celfer alias and relates to a project he did in São Paulo called The Space Between Points [see also]. For the Austin show he'll be debuting a joint project of ours called eleven tracks, a mixtape of sorts where I picked five tracks of his (including the one selected by ICOSA) and he picked six tracks of mine (because mine are shorter) and we discuss them. The mixtape will be "shown" on YouTube and physically projected in the space. The upload to YT will include bonus content that's been added using John Romero's Pitahaya program.

December 13 - eleven tracks, a musical LP by St Celfer and Tom Moody, launches on Bandcamp.

"Melding Principle (Three Nebulaes)" - bonus Pitahaya release

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A track from my most recent Bandcamp album, Melding Principle, has been released on YouTube -- in a slightly unconventional way.
A streaming version of the track appears here. As usual, YouTube converts the audio into a low-quality mp3 when it's uploaded (in this case by user news.coffee -- thanks for that!) However, a full, uncompressed version of the release can be downloaded along with the video if you have a Linux or Windows PC and a bit of time to install some software.
The video portion of the YouTube, a constantly changing field of random pixels, operates like a QR code and contains all the data from the high-resolution audio file.
The Pitahaya program, created by John Romero, encodes and decodes the video. In order for it to work a handful of other open-source programs need to be installed.
As a non-expert, I was able to install everything and get it working with Linux Mint. It can be run on Windows with a program that translates Linux-type commands to Bill Gates World. The only thing I couldn't do was upload the mp4 video to YouTube, since I don't have an account. Thanks again to news.coffee!
Pitahaya has two modes, Archival and Privacy. I used the Archival mode to encode the file; Privacy has a somewhat different goal, which is encoding lower-res audio streams into videos that are silent, or running some other audio, such as Kenny G sax solos. (Your own videos, of course, not other people's.) As far as I can tell neither mode challenges YouTube's terms of service. I'm the copyrightholder and gave permission to have a video version of my song uploaded. The work exists as video (abstract art) and just happens to contain a better version of the song than is normally offered!
Some of Romero's thinking behind Pitahaya can be found here. Short version, yes, there are scads of places on the web to store stuff, but as we are warned ad nauseum, "the internet" is narrowing to a handful of gateway platforms. Many, such as YouTube, are quite profligate with their bandwidth in order to show every hair of your cat's fur with aching clarity. Pitahaya repurposes some of that waste in the service of loftier goals (e.g., starving artist product distribution).

art publications - bibliography

Some art books are going into boxes -- how to find them again? This form of bibliography emerged:

A. Artist (alphabetical by last name)
1. Book about artist
2. "Artist's book"
3. Catalog of single artist exhibition
4. Artist biography
5. Book of artist interviews
6. Book of artist writings (e.g., Robert Smithson, Vassily Kandinsky)
7. Documentation of artist projects (e.g., Claes Oldenburg Store Days)

B. Exhibition (alphabetical by exhibit title)
1. Catalog of group show
2. Catalog of "theme" show
3. Auction catalog

C. Book about art (alphabetical by author)
1. Theory
2. Survey
3. Essay collection
4. How-to guide
5. Journalism (e.g., Naked by the Window)

D. Periodical (alphabetical by publication title, chronological within publication)
1. Magazine
2. Zine
3. Gallery guide
4. Directory (e.g., AiCA annual list of art critics)