He-y, come on ou-t! (a short story by Shinichi Hoshi, translated by Stanleigh Jones)

This story appeared in The Best Japanese Science Fiction Stories, edited by John L. Apostolou and Martin H. Greenberg (1989). The book is out of print and the text below is floating around the internet. Used without permission -- any objections, I'll remove it, but it's certainly a tale worth reading.

The typhoon had passed and the sky was a gorgeous blue. Even a certain village not far from the city had suffered damage. A little distance from the village and near the mountains, a small shrine had been swept away by a landslide.

"I wonder how long that shrine’s been here."

"Well, in any case, it must have been here since an awfully long time ago."

"We’ve got to rebuild it right away."

While the villagers exchanged views, several more of their number came over.

"It sure was wrecked."

"I think it used to be right here."

"No, looks like it was a little more over there."

Just then one of them raised his voice. "Hey what in the world is this hole?"

Where they had all gathered there was a hole about a meter in diameter. They peered in, but it was so dark nothing could be seen. However, it gave one the feeling that it was so deep it went clear through to the center of the earth.

There was even one person who said, "I wonder if it’s a fox’s hole."

"He—y, come on ou—t!" shouted a young man into the hole. There was no echo from the bottom. Next he picked up a pebble and was about to throw it in.

"You might bring down a curse on us. Lay off," warned an old man, but the younger one energetically threw the pebble in. As before, however, there was no answering response from the bottom. The villagers cut down some trees, tied them with rope and made a fence which they put around the hole. Then they repaired to the village.

"What do you suppose we ought to do?"

"Shouldn’t we build the shrine up just as it was over the hole?"

A day passed with no agreement. The news traveled fast, and a car from the newspaper company rushed over. In no time a scientist came out, and with an all-knowing expression on his face he went over to the hole. Next, a bunch of gawking curiosity seekers showed up; one could also pick out here and there men of shifty glances who appeared to be concessionaires. Concerned that someone might fall into the hole, a policeman from the local substation kept a careful watch.

One newspaper reporter tied a weight to the end of a long cord and lowered it into the hole. A long way down it went. The cord ran out, however, and he tried to pull it out, but it would not come back up. Two or three people helped out, but when they all pulled too hard, the cord parted at the edge of the hole. Another reporter, a camera in hand, who had been watching all of this, quietly untied a stout rope that had been wound around his waist.

The scientist contacted people at his laboratory and had them bring out a high-powered bull horn, with which he was going to check out the echo from the hole’s bottom. He tried switching through various sounds, but there was no echo. The scientist was puzzled, but he could not very well give up with everyone watching him so intently. He put the bull horn right up to the hole, turned it to its highest volume, and let it sound continuously for a long time. It was a noise that would have carried several dozen kilometers above ground. But the hole just calmly swallowed up the sound.

In his own mind the scientist was at a loss, but with a look of apparent composure he cut off the sound and, in a manner suggesting that the whole thing had a perfectly plausible explanation, said simply, "Fill it in."

Safer to get rid of something one didn’t understand.

The onlookers, disappointed that this was all that was going to happen, prepared to disperse. Just then one of the concessionaires, having broken through the throng and come forward, made a proposal.

"Let me have that hole. I’ll fill it in for you."

"We’d be grateful to you for filling it in," replied the mayor of the village, "but we can’t very well give you the hole. We have to build a shrine there."

"If it’s a shrine you want, I’ll build you a fine one later. Shall I make it with an attached meeting hall?"

Before the mayor could answer, the people of the village all shouted out.

"Really? Well, in that case, we ought to have it closer to the village."

"It’s just an old hole. We’ll give it to you!"

So it was settled. And the mayor, of course, had no objection.

The concessionaire was true to his promise. It was small, but closer to the village he did build for them a shrine with an attached meeting hall.

About the time the autumn festival was held at the new shrine, the hole-filling company established by the concessionaire hung out its small shingle at a shack near the hole.

The concessionaire had his cohorts mount a loud campaign in the city. "We’ve got a fabulously deep hole! Scientists say it’s at least five thousand meters deep! Perfect for the disposal of such things as waste from nuclear reactors."

Government authorities granted permission. Nuclear power plants fought for contracts. The people of the village were a bit worried about this, but they consented when it was explained that there would be absolutely no above-ground contamination for several thousand years and that they would share in the profits. Into the bargain, very shortly a magnificent road was built from the city to the village.

Trucks rolled in over the road, transporting lead boxes. Above the hole the lids were opened, and the wastes from nuclear reactors tumbled away into the hole.

From the Foreign Ministry and the Defense Agency boxes of unnecessary classified documents were brought for disposal. Officials who came to supervise the disposal held discussions on golf. The lesser functionaries, as they threw in the papers, chatted about pinball.

The hole showed no signs of filling up. It was awfully deep, thought some; or else it might be very spacious at the bottom. Little by little the hole-filling company expanded its business.

Bodies of animals used in contagious disease experiments at the universities were brought out, and to these were added the unclaimed corpses of vagrants. Better than dumping all of its garbage in the ocean, went the thinking in the city, and plans were made for a long pipe to carry it to the hole.

The hole gave peace of mind to the dwellers of the city. They concentrated solely on producing one thing after another. Everyone disliked thinking about the eventual consequences. People wanted only to work for production companies and sales corporations; they had no interest in becoming junk dealers. But, it was thought, these problems too would gradually be resolved by the hole.

Young girls whose betrothals had been arranged discarded old diaries in the hole. There were also those who were inaugurating new love affairs and threw into the hole old photographs of themselves taken with former sweethearts. The police felt comforted as they used the hole to get rid of accumulations of expertly done counterfeit bills. Criminals breathed easier after throwing material evidence into the hole.

Whatever one wished to discard, the hole accepted it all. The hole cleansed the city of its filth; the sea and sky seemed to have become a bit clearer than before.

Aiming at the heavens, new buildings went on being constructed one after the other.

One day, atop the high steel frame of a new building under construction, a workman was taking a break. Above his head he heard a voice shout:

"He—y, come on ou—t!"

But, in the sky to which he lifted his gaze there was nothing at all. A clear blue sky merely spread over all. He thought it must be his imagination. Then, as he resumed his former position, from the direction where the voice had come, a small pebble skimmed by him and fell on past.

The man, however, was gazing in idle reverie at the city’s skyline growing ever more beautiful, and he failed to notice.

three movies that were better as books

All of these are well-done, or reasonably well-done films that streamlined a source novel:

Under the Skin. The ScarJo version is creepy and nicely-filmed but has only rudimentary connections to Michel Faber's novel. A woman driving around Scotland picks up men and terrible things happen to them. In the book we clearly see, and understand, the terrible things and the politics behind them. The film's actress is a beautiful blank on whom the camera lingers for most of the run-time; Faber's "Isserley" isn't much to look at but has a rich inner life.

The Man in the High Castle. This "Amazon pilot" excels at visually conjuring Philip K. Dick's parallel world where the Germans and Japanese won World War II but dumbs it down thematically. Dick's small business and lower functionary "little people" working out their fates within the context of a larger, mostly unseen political struggle become, in the Amazon version, players in a Mel Gibsonized "French Underground" story, with calculated plot twists and Nazis beating resistors to a bloody pulp.

The Prestige. Christopher Nolan also adds Hollywood "story arc" to Christopher Priest's superb Gothic novel. The book does not hinge on an absurd murder trial, or a prisoner separated from his daughter. The steampunk element in the form of a miraculous "Tesla device" figures in both both stories, but Priest handles the revelations about its powers much more effectively.

thomas ligotti

l conspiracy-aganst-the-human-race

If you saw the mini-series True Detective (first installment), you might remember Matthew McConnaughey spouting weird, dark philosophy and Woody Harrelson responding with something like "Don't tell anybody else this but me, OK?"

Some of the ideas were loosely based on the above book, by horror fiction writer Thomas Ligotti. In a nutshell, it's the case for anti-natalism, that is, that humans should just stop having children, and thereby, ultimately, quietly remove our species from the planet. Not because we're an ecosystem-unbalancing viral plague, although there's that, but rather that we have an "excess of consciousness," beyond our capacity needed for survival on Earth, and it generates so much suffering it's got to be a mistake of nature.

The McConnaughey character was still "doing good things" while espousing dark shit but Ligotti would probably say that's his choice, as long as he wasn't breeding. Ligotti writes persuasively and well (and with great humor), and I recommend a few rounds with this book to help you polish your counter-arguments. He has anticipated most of them and they will sound like feeble apologetics, I'll warn you right now.

cory doctorow interview

Salon's Laura Miller talks to Cory Doctorow about copyright and the differences between rules and expectations for "industrial" users versus the rest of us. (He says we shouldn't be held to the same standards for sharing things around.)
As usual, the Salon headline writer takes a narrow point Doctorow is making (about Google's indexing of books) and enlarges it to an alarming clickbait proposition: ""We're all sharecroppers in Google’s fields for the rest of eternity." Like, woah. Here's the context of that "quote" (emphasis added):

...Do you remember when the Authors Guild sued Google over Google Book Search, which is basically the right to make an index of stuff in books? They said to Google, “If you’re going to do this, you’re going to do it on our terms, and you’re going to have to give us a whole $70 million. And we want to establish that we’re not saying that it’s legal to do this for anybody. You have to come negotiate with us first, and next time the price might be higher!” Google said, “$70 million? Let’s shake the sofa and find some change for you.” Meanwhile, you are guaranteeing that nobody else in the future history of the world will be able to afford to index books, which is one of the ways people find and buy books. Now Google owns that forever, for a mere $70 million! Nice work, Authors Guild. You’ve just made us all sharecroppers in Google’s fields for the rest of eternity.

It's not entirely clear what Doctorow means in either the larger or narrower context. One minute he's talking about "making an index of stuff in books" and later he talks about "index[ing] books, which is one of the ways people find and buy books." Instead of the traditional, back-of-the-book index I believe by "index" he means that Google makes every word in the book searchable and that's one way people "find" books. But that's just a guess. Checking the ever-wonderful Wikipedia, it appears the author's guild settlement is still up in the air so who knows what Doctorow is even talking about.

you can have your cyberpunk-near-future-with-elves

Science fiction writer Charles Stross announces his intention to write fantasy novels for the poorest of reasons: because you don't know how your smartphone works, saying "Siri, where can I get a hamburger" is kind of like a magic incantation, if you do in fact, get a burger.
One of the purposes of reading is to learn, and the John Campbell style of sf had side benefits to its escapism. Editor Campbell made his authors (Heinlein, Sturgeon, Del Rey, et al) explain how things worked. If the premise of your story is "we live in a universe governed by arcane rules of magic," a limited amount of useful information can be gleaned there. Stross's already-extant "Laundry" novels, combining Len Deighton-style spy stories and watered-down Lovecraft, have a limited repertoire of magical effects and those aren't terribly interesting. Once you've used the severed hand of a dead convict to make yourself invisible you can't really employ that trick again.
Lovecraft himself didn't believe in "magic," which is one reason his supernatural stories are so scary.
Escape into a world of elves because we can't understand our smartphones also sounds like a political cop-out. Leave the phone production and marketing to our betters, those shadowy world-dominating corporations that are also beyond our comprehension. Heaven forbid we should look to fiction for tales of little-guy empowerment -- better to keep talking to Siri and having our witch and warlock fantasies.
A writer who does very well what Stross wants to do is Michael Swanwick (in novels such as Stations of the Tide and The Iron Dragon's Daughter). Cyberpunk meets elves and fairies, yes, but you are usually aware, as a reader, that these tropes are locked in deadly antagonism.

Addendum: To sum up, if it needs summing up: If the world's awash in puerile fantasy the solution isn't to write more of it. Stross has a point about the difficulty of continuing to write SF when less people believe that, say, faster-than-light drives are possible. Yet the first story I read of his, a few years ago, was "Bit Rot," which had AIs making long star voyages (precisely because of that physical limitation on human space travel) and something going horribly wrong. It combined horror and SF in a way that seemed relevant to the present, more so than recycling Tolkien for an age of microchips.