another from phone arts

giese_filipek_blue

“I'm afraid that I just blue myself”
by chaz giese & andre c. filipek, from Phone Arts

A digitally crumpled, vaguely Escher-ish phone leans against a wall in an ambiguously corporate, very blue space.
This is a familiar recursion of a "painting on canvas of a painting on canvas," except that canvases don't come in standard aspect ratios. Rather, this pic suggests the phone as subject and author, with the vertically-oriented rectangle reminding us of the phone-based imaging software possibly used in its creation. We don't know for a fact that the topologically-challenged handset was fabricated on a phone, however, or merely displayed on a blog with other phone art. We also don't know if there was an original photo-reference or if the entire image is synthetic. But there is certainly compatibility between this blue world and the sleek, airbrushed look of Apple-era phone graphics and hardware. For those who might not use or desire a smartphone (a rare and ornery tribe who don't want to be tracked, marketed to, irradiated, or timesucked), this is how a phone should exist: as a dysfunctional, abject, uselessly aesthetic piece of sculpture.

domestic animal vortex phone painting

manning_phone_dog

by Michael Manning, untitled post from Phone Arts
He didn't actually call it "domestic animal vortex phone painting" but Word Press software pretty much demands that every post have a caption so that's mine.
Don't want to dignify this with too much art historical blather but in lieu of "rad!" let's say it's an effective disposable image that delivers a surreal jolt while combining painting and photography in a demystified way. The painting dissolves the dog's head into a tornado of smeary color, slowing down the recognition factor and causing us to ponder the rather strange foreshortening of its limbs and the surrounding environment of what appears to be a tastefully appointed bedroom. The paint is not exactly given old master consideration but it does intelligently converse with the dog's head (turning it into a primitive mask before it explodes) and the sensuous crinkling of the bedsheets.