work in process

Screenshot of work space -- Tracktion Software's Waveform DAW running on Ubuntu Studio:

waveform_10-17-17

Tracktion's core concept is the single interface -- midi editing and mixing can all theoretically be done in one window. By popular demand they've recently added separate, optional windows for those functions. An advantage of Waveform (as opposed to Cubase or Ableton) is its ease of rendering audio. MIDI piano roll sequences triggering samplers or softsynths can be converted "in place" to audio clips (as they're called). The rendered clips, with waveforms drawn graphically, appear in the same track position or on an adjacent track. In Ableton, one has to create a recording channel to capture the MIDI track output as audio; in Waveform, tracks are agnostic as to whether they are employed for audio or midi -- it's all based on the clip. Sampling from turntables or other sources is also very fast and easy. That this all works on Linux is impressive. The disadvantage for Linux users is still third party (non-Tracktion) plugins -- many of these crash or freeze. At the moment I've enough options just with Tracktion plugins, sampled sounds that can be dragged into the timeline directly from the browser, and hardware synths controlled and recorded by the DAW, that the lack of this plugin functionality isn't chafing (too much).

bank call

Citizen of India: Thanks for calling FleecemBank, how can I help you?
US Pigeon: I'm calling to authorize this replacement credit card you mailed me.
CoI: I can help you with that.

[Exchange of personal identifiers]

CoI: How else can I assist you today?
USP: That's it.
CoI: OK. In the future, you can authorize your card by going online at fleecembank.com or texting us at [number] to receive a download link.
USP: Yeah, I know. I don't want to do this kind of stuff online.
CoI: Yes, many customers prefer to speak to a live representative...
USP: It's not that, it's that online transactions are rife with fraud, "hacking," and identity theft. I'm reading about it in the news every day.
CoI: I'll pass that information along, is there anything else I can help you with?
USP: That'll do it.
CoI: Have a nice day.

[Call recorded for quality assurance or training purposes.]

"Trance Terrarium"

"Trance Terrarium" [mp3 removed -- please listen on Bandcamp]

Song made with Tracktion's Waveform digital audio workstation, running on Ubuntu Studio.
Sound sources include:
Tracktion's Collective synth/sampler (running on Windows 7);
Helm softsynth, running on Linux
Tracktion's FM Synth plugin on Linux PC ("organ" patch arranged in an augmented 7th chord)
Various E-Mu samples triggered in Waveform sample players
Beats are scratch samples played in Reaktor Krypt, further sliced in Octatrack and mixed with other percussion.

Update: Made the bridge/ending a hair less simplistic; re-uploaded.
Update 2: Increased the tempo of the bridge/ending and extended the finale with new melodies added; re-uploaded.
Update 3: Opening verse melody slightly de-simplified; re-uploaded.
Update 4 (Oct 14): Opening verse melody de-simplified more; re-uploaded.

get ready for work hardening, seniors

"Haircut" is a classic Ring Lardner short story employing an unreliable narrator. A barber describes his swell chum who the reader quickly determines is a complete ingrate. Wired magazine (intentionally -- I think*) uses this device in its recent article Meet the CamperForce, Amazon's Nomadic Retiree Army. Written in a perky, upbeat style, it describes the grimmest of circumstances: a man works his way up the ladder at McDonald’s, retires at 60, loses his savings to shaky investments, and spends his twilight years in a soul-deadening Amazon warehouse job.

And not just by himself: there is a small army of elderly camper nomads in the outbacks of Nevada, Tennessee, Texas, and other states (cheerfully called "workampers" in the article) who are being exploited by Jeff Bezos in the same manner. Their aging bodies aren't accustomed to 10 hour days schlepping consumer goods around the inside of a warehouse so Amazon begins their (seasonal) work cycle with "a period of half-days called 'work hardening,' meant to help newcomers adapt to the physical stress of the job."

Amazon makes arrangements with existing trailer courts to provide space for the "CamperForce," as Amazon calls these itinerants. In the off-season they camp elsewhere: on public land, in the desert... Wired describes the loving, friendly communities of seniors in rickety, leaky RVs, who have all found each other in their post-retirement estrangement from US consumer society (the term Hooverville is not used). As Naked Capitalism commenter Off the Street put it:

Divide and conquer springs to mind. Hard to resist the societal tides as one piece of jetsam. Given the low savings of most Americans, there is an oversupply of potential workamperserfs to depress wages through their remaining nasty, brutish and shortish lives. If there are silver linings, then those may be through human connections, less need for a wired or credit-driven world and more appreciation of what people once had. Who knew that the Mad Max movies were destined to become instruction manuals? What other movies are in the works now ;p

*The tone of Wired's article is difficult to pin down. The essay isn't original to the magazine; it's a teaser from an upcoming book from a major publishing house. Is the author naive, or passive aggressive? Consider this line: "Many of the freshly arrived Camper­Force workers were curious and strangely excited to work alongside the robots that threatened to replace them." Is the author afraid to speak critically of Amazon's brutal labor practices? Is she being constrained to speak by her publisher? The "Haircut" style makes the article less palatable than if she simply took a stand.