detail from facebook remixes, by SYSTAIME
indirect hat tip to Nullsleep
November 2011
walls of ugliness
Felt like torturing myself so have been surfing around some Facebook blogs as a non-logged-in individual. Many thanks to Nullsleep for sending links to glitch artists who fill up their Facebooks with ASCII-style typographical noise--that seems like a compelling use of the "medium."
One thing you notice as someone who doesn't live there is how much more like MySpace it is, design-wise, than, say, some of the more minimal tumblr blogs. The Zuckeroids try to put so much on the page that it's busy and I would say junky looking. One feature that seems to have been adopted by Google+, unfortunately, is the constraint or miniaturization of people's content so all that other data can go on the page. Have chafed for years against a 580-650 pixel width limit and it would be hard to accept 400 or whatever theirs is.
Navigation also kind of sucks--when you go backwards in time in a "wall" (blog) and click on something and then something else, you have to keep going back to the first page of the "wall" to orient yourself--there are no monthly sidebar links as on the classic blog model. Am probably missing something but don't really care - it's not an inviting environment for someone who isn't partaking of all the friending and comment dramas.
OK, sorry for this unfrozen caveman report, am mostly just filling up space with typographic noise to separate the next and previous posts.
new nature
Didn't have my camera at last night's opening of the Nicholas O'Brien-curated landscape show at 319 Scholes so I made a sketch of Duncan Alexander's contribution to the show:
Props to Alexander, usually work like this doesn't appear until after an artist has had his first Whitney show, and an "art and technology" website offers it as a gift download to members. The man has moxie.
"My Life As A Tank"
"My Life As A Tank" [mp3 removed]
This is done with software synths: Linplug's Alpha 3 (trying it out--sadly it doesn't store settings any better than version 2 did); Oki Computer 2; Intakt (for the breakbeat). Title inspired by a post-human fantasy in Charles Stross' novel Glasshouse.
Telefone Sem Fio (3)
This is a rough-cut studio shot of my piece in the "Telefone Sem Fio" show. The art is an animated GIF based on pictograms from an older (late '90s/early '00s) web piece by Brazilian concrete poet Augusto De Campos. There's a web page version of the GIF but for the physical exhibition I made a DVD loop of the GIF to run on a CRT television monitor. Those monitors are already retro-exotic but they work well with certain GIFs. (Stronger color, etc.)
More
Telephone journal
Elizabeth Foundation for the Arts
Lecture tomorrow (Friday Nov 11) on De Campos (will have to miss this unfortunately)