it's not what you do, it's what you think you can do on 5 minutes' reading

One of Paddy Johnson's commenters found what he believes is a major factual inaccuracy in my post about Google's Martha Graham animation--so major that he spammed her blog with comments loudly and repeatedly claiming that I was guilty of "intellectual dishonesty." (Somewhat like makers of signs on American highways telling you that a tourist attraction is coming up--keep reading folks, the truth is just four comments ahead... three comments...)

The gist of his argument is that, (i) with no prior knowledge of CSS or JavaScript, he "fully understands" how to create CSS animations "after less than five minutes' reading" (although he never tested this knowledge by making or posting an animation) and that therefore (ii) I've created a false binary between easy to make GIFs and hard to make CSS animations. It's great that authoring tools for non-GIF animations are starting to appear, but would they enable you to create the "Martha Graham dance"? Many have suggested otherwise. As one commenter noted on AFC, "Google likes to show off what their programmers can do with simple code." Another opined that "GIFs are files that are definitely easier to understand and handle than Google's scripting." A computer science-educated artist who I emailed before putting up my Martha Graham post described Google's animation as "a brittle coupling of assets and dependent on the state of the HTML document embedding it" and therefore a probable "preservation nightmare" (as compared to GIFs). Much had been written on the wider Internet about How Google Did It. All of which is to suggest that "anyone" couldn't have done it.

GIF thread afterspasms

Some late-breaking comments on the GIF thread from hell. If you can't attack an argument you must demolish the credibility of the person making it, so suffice it to say I am now little more than a smoldering pile of ash. I did help one reader refine his views, though, going from "Who knows why Google chose HTML5?" (for its Martha Graham animation) to speculating that it was because mobile browsers lack adequate GIF support. This same commenter goes on to bluster that

Tying Google's tech choices re: their doodles to policies against GIFs on their other sites (like Blogger) is naive (and, frankly, stupid). Facebook, Twitter (& whomever else) block animated GIFs for 1 reason (which you already mentioned): they don't want to be Myspace.

Paddy Johnson agrees :( and suggests that

what's happening to GIFs seems a little like the Polaroid problem to me. People still make the film, but it's impossible to find. Not being able to shoot Polaroid doesn't mean that artists will stop being creative, but it does mean they may have to switch mediums if it's no longer practical. That will be more painful to some artists than others.

To which I replied:

If we don't know why Google blocks GIFs in one arm of its company and pushes other animation methods in another (and we don't), why is it automatically naive to consider connections between the two? More is at stake here than the type of "film" we use; it is completely fair to consider an across-the-board GIF phase-out in the larger context of the Web becoming a more controlled and controllable place (see my comment to Duncan below). "They don't want to be MySpace" is also pure speculation.

Duncan Alexander, in another late-breaking (and excellent) comment, said that "it's apples and oranges to compare GIFs to code hacks," to which I replied

It's not an apples and oranges debate though, or people wouldn't be yelling so much. Google doesn't mean to replace GIFs with another filetype people can share and take apart and play with. On its flagship search page it is clearly presenting its vision of a "one way web" crafted by its owners where the terms of your interaction are "click here" and "save your results." To consider the political dimension isn't conspiracy theory or empty railing against the man, it's a question of what kind of internet (and therefore, life) we want to have.

In an era when Facebook=Web this has mostly been decided for us and bemoaning the fate of the GIF does have a hopeful, 2004 ring to it. Consider these arguments back-dated.

4D bald eagle

AnimatedEagle

posted to dump.fm by _____ (sorry I forgot; please email and I will add).

A compelling GIF, starting smoothly and gradually becoming chaotic but always imparting a sense of geometric order in the natural world, a la Cezanne. Its artifice is laid bare and it doesn't pretend to immerse us in sentimentalized nature. Yet it probably came from a cable animal channel documentary.

When someone who claims to be in the art world has to ask a question like "why do GIFs matter to artists?" it's saddening. The appeal of an animation like this shouldn't need justifying to anyone.