"Rotor 34 - HyperMolecules" collaboration with Duncan Alexander

Our collaborative page is here. Molecules with a "vintage" look--resembling stop-motion puppet animation--form and reform at high speed, in never-repeating combinations.

Below is an animated GIF I made, capturing just a fragment of the action:

rotor34_capture

Internet Explorer reads the page wrong (of course) but it's not so bad--the growth of the molecules is all vertical (see screenshot of a single frozen moment), resulting in an, er, erectionpalooza.

The spheres and struts are bitmap drawings that I use for collage and installation work (and some animation). Alexander talks a little on his blog about how he is animating these components on the HyperMolecules page ("I wrote a simple javascript loop that would assemble and reassemble them like self-constructing molecules"). The way the shapes are assembled is very familiar to me from countless hours of doing this manually.

"Kicking Boy"

"Kicking Boy" [mp3 removed -- updated version is on Bandcamp]

8-bit flavored electro house, approx. two minutes. Pocket Protector House? Most of the sounds are analog synths, multitracked. Normally these are written in the MIDI piano roll but the main tune here was pecked out on the computer keyboard:

D5D3
D5D3
D5D3
DQQQ2

D5D3
D5D33
D5D3
DQQQ2

You can hum it in the shower. (Or not.)

"Blood Music (After Speedy J)"

"Blood Music (After Speedy J)" [mp3 removed]

Ambient-style work. The main sounds (e.g., the weird persistent sonar ping and later jackhammer pulse) come from a Reaktor abstract sound generator called Metaphysical Function--two patches designed by techno musician Speedy J. That very harsh digital audio is then made analog by running it through four of the Vermona Perfourmer's lowpass filters simultaneously--all with slow-ish LFO sweeps, two centered and two "hard panned" left and right so there is an autopanner effect. Lastly, that sound is further softened and smeared in a convolution reverb--a sound imprint of skyscraper stairwell echoes morphed onto the audio. Will probably not make anything this Eno-esque again, but it has an eerie mood.