Facebook - business networking, finding old classmates
Twitter - poetry, quasi-communication, link sharing
Tumblr and Flickr - image sharing
Delicious - link sharing
YouTube - jukebox (music plus static image to stare at while song plays), video sharing
Blogs on the open internet - content providers.
Came out of the subway at the World Trade Center yesterday at 11:30 am. Had a 12:00 pm appointment near the Staten Island Ferry. Completely forgot this was the day of the World Series tickertape parade. Confronted by an ocean of blue and white clad fans filling Church and the cross streets, all trying to get over to Broadway (my original planned route). OK, think fast. Go north, skirting the crowd, then east, then south? No, could take a wrong turn in the Wall Street diagonal canyons and get dumped back into the masses (am still not confident in that maze). East to the South Street Seaport, then south under the FDR on foot? Too much walking. West over to West (the west side freeway barreling south to the Battery tunnel) presented the best option even though pedestrian routes along the highway are intermittent--construction flanks the entire corridor. I went that way: crossed a skybridge, followed the paved footpath south until it ran out, re-crossed West to the sidewalk on the opposite side, all the while navigating knots of Yankees fans still surging to the parade. More zigging and zagging and finally emerged at Battery Park, where barricades kept moving me west and south--I could see the tickertape (mostly shredded printer paper) floating in the air now over lowest Broadway. A dead run through the park and I made my destination at 12:01 pm. Phew.
#000000 --> "black"
#000001 --> "very very very very very very very very dark gray"
#000002 --> "very very very very very very very dark gray"
#000003 --> "very very very very very very dark gray"
#000004 --> "very very very very very dark gray"
#000005 --> "very very very very dark gray"
#000006 --> "very very very dark gray"
#000007 --> "very very dark gray"
#000008 --> "very dark gray"
#000009 --> "dark gray"
#00000A --> "gray"
#00000B --> "light gray"
#00000C --> "lighter gray"
#00000D --> "still lighter gray"
#00000E --> "much lighter gray"
#00000F --> "extremely light gray"
#000010 --> "gray so light it hurts"
#000011 --> "gray so light you can't believe it's not white"
#000012 --> "oh my god, that gray is so light it made my computer explode"
#000013 --> "nothing could possibly be lighter than this gray"
...
#FFFFFE --> "not white"
#FFFFFF --> "white"
happy web '99 via cpb
Visited several galleries yesterday on New York's Lower East Side. Some 40 spaces have popped up in the last couple of years, mostly small, one or two room, well-appointed oases of white-walled serenity in a zone of commercial clutter and urban rot. The northern anchor for this array of map pins is the New Museum, where guards inspect visitors at the door for cheekbones and personal elegance (not really, but at least half the gallerygoers at any given time seem fashion model gorgeous--even the visiting curators--what ever happened to the arts professionals with middle-aged paunches and bad hair? and whatever happened to the dumpy old New Museum after it moved from Soho to the Bowery? Somewhere enroute it became fabulous.) The Urs Fischer sculpture show mostly borrowed from other artists but the next morning found me thinking about a purple piano that deflates. Derivative of Claes Oldenburg's giant soft drum kit, toilet, etc, but redeemed by the craftsmanship of a large complex object cast in vivid seamless violet and allowed to wilt, with all the inner strings visible and merging into an undulating mass. The piano came to mind because 10 or 15 galleries later, at James Fuentes, down on a bleak stretch of St. James, a Jonas Mekas video depicted an elderly, wheelchair-seated Nam Jun Paik repeatedly toppling an upright onto its back. A team of eager young assistants scrambled to lift the instrument, and Paik knocked it over again...and again...like a petulant child pushing away an unwanted toy, each time with a nerve-wracking crash. (The video occupied one corner of a quartet of screens with live Mekas-shot footage of the Berlin Wall and World Trade Centers falling and the mop-up after a Danius Kesminas fire sculpture/performance.)
Two destroyed pianos, one at the start and one at the end of a series of gallery visits. Somehow the musical non-accompaniment for the adventure lingered after [Tom - this is a great lead - are you going to fill in the rest of the details of your trip? --ed.]
